Maxime's life & work

資源來自: 18P2P (關閉註冊中) ( http://www.18p2p.com/forum/)
                   作者: llwwdd    時間: 2008-01-06 16:54     標題:

Canal+ Brokeback Mountain +English subs
Uploaded by YforYerom

resoure from: http://www.newline.com/properties_the_last_mimzy.html 
SYNOPSIS:
Based on the acclaimed sci-fi short story by Lewis Padgett, The Last Mimzy tells the story of two children who discover a mysterious box that contains some strange devices they think are toys. As the children play with these “toys,” they begin to display higher and higher intelligence levels. Their teacher tells their parents that they seem to have grown beyond genius. Their parents, too, realize something extraordinary is happening. Emma, the younger of the two, tells her confused mother that one of the toys, a beat-up stuffed toy rabbit, is named Mimzy and that “she teaches me things.”As Emma’s mom becomes increasingly concerned, a blackout shuts down the city and the government traces the source of the power surge to Emma’s family’s house. Things quickly spin wildly out of their control. The children are focused on these strange objects, Mimzy, and the important mission on which they seem to have been sent. When the little girl says that Mimzy contains a most serious message from the future, a scientific scan shows that Mimzy is part extremely high level electronic, and part organic! Everyone realizes that they are involved in something incredible…but exactly what?The Last Mimzy features an ensemble cast that includes Timothy Hutton (Ordinary People, General’s Daughter), Joely Richardson (The Patriot, Nip/Tuck), Rainn Wilson (The Office), Michael Clarke Duncan (The Green Mile), and newcomers Rhiannon Leigh Wryn and Chris O’Neil as the children, Emma and Noah. It is produced by Michael Phillips (The Sting, Close Encounters of the Third Kind) and directed by Bob Shaye (executive producer of, among other films, The Lord of the Rings trilogy). Shaye is also founder, Co-Chairman, and Co-CEO of New Line Cinema.

"THE PUNISHER-神鬼制裁"
　　繼追殺比爾(KILL BILL)之後，我看過值得紀錄的為了正義而進行追殺的影片。劇情言簡易懂，一位臥底探員殺了黑幫老大的兒子，而慘遭老大殺害全家大小，而主角貫徹ＤＩＥ　ＨＡＲＤ的理念進行復仇的行動，正確來說是＂懲罰＂。
　　劇中經典名句：
　　＂在某些極端特殊的情況之下，法律是不完善的，為了羞辱其不完善性，必須在法律之外行事，來尋求自然的正義。＂
　　＂這不是復仇，復仇不是正確的動機，只是情緒化的反應，不，不是復仇，是懲罰＂
　　＂美好的回憶可以拯救你的生命＂

《巴黎我愛你》(Paris,je t'aime)─差異的凝視與技術的編織引用自:http://www.ccuart.org/tragicomedy/archives/002188.htmly
今年(2006)紀錄片雙年展有個主題是《大台中紀事》，邀集十位知名紀錄片導演去拍關於台中的記錄片。我們可以怎樣去談論一個城市？要怎麼用影像、有什麼方式去呈現？那麼，關於「巴黎」呢？除了官方宣導片以外，要去談論一個城市，勢必要從某些人、某些故事去切入，不過現在就連懂行銷的官方宣導片，也知道要這樣操作。要談「巴黎」，就無法不談「巴黎人」，；而「巴黎人」又不只侷限在出生在巴黎的人，還包括移民、遊客、流浪漢等等，於是「巴黎─巴黎人─正在巴黎的人」這樣的連結，究竟面貌與意涵為何？怎麼用言談、影像去勾勒出來？是伊森霍克和茱莉蝶兒(《愛在日落巴黎時》Before Sunset)倆人九年後巧遇，在這城市中走動、停駐休息，戀人絮語式的巴黎？還是《巴黎初體驗》(The Dreamers)談論六八學運(1968)時代背景下的青年人愛情與友情糾纏下的巴黎？或是像陳湘琪提著行李不停的走、喝咖啡喝到吐(《你那邊幾點》What Is It There？)，旅人狀態下的巴黎？都是，也都不是。